
Now that I'm finally learning how to play songs I didn't write, after more than thirty years of just playing whatever chords sound good to me, I've turned my attention to a few obscurities that I admire unrestrainedly. So I'm going to blog abut a few of them, as I have "If You Got To Make A Fool Of Somebody" a few weeks ago. The song I'm writing about this week is "Heaven's Never Letting Me In" by the Webb Brothers.
The full, total horror of what the music business has become is perfectly displayed in the obscurity of the Webb Brothers, as it is in many other artists scattered throughout the fringes of our culture today. They've done three full-length CDs, each one better than the last, each one a deathless, timeless expression of pop magnificence, perfectly performed by artists who have more talent in their little finger than fashionable artists such as The White Stripes or Little Jeezy have in their entire bodies.
Jimmy Webb, their father, wrote some of the greatest songs of the 20th century, so it's true that maybe they should have to try a little harder or something. But their songs are incredible works, the kind of thing you'd expect from kids who grew up immersed in music in such a way that all the finest skills and tools that it takes most of us decades to achieve are present at once.
I wish I knew all the lyrics to this song, but this is the best I could decipher it:
No business at the venue, no mischief on the menu
On a bender and it’s bound to bend you tonight
I’m so uncomplicated, underground and underrated
Seeing feeling was reciprocated, let’s give all the people a fright!
California here we come again take this bore and make it fun again
I’m so tired of trying to be good, Heaven’s never taking me in!
I’ve taken all your babies, I’ve pumped em full of rabies
Pulled a carcass through the gates of hades better lock your children up tight
California here we come again take this bore and make it come again
What’s the point of trying to be good, Heaven’s never lettin me in!
Oh oh can’t you hear the whistle blow? California here we go
Never thought you’d hit so low, no, you were much too slow
When I was a boy I pulled the wings off pigeons, now I’m causing class divisions
I’ll start my own religion, oo you’ll never stop me, oo you’ll never stop me
Cause I say I’ll fast my dominion I’ll rule this whole dominion
Run my face on every television till everybody weeps at the sight
California here we come again take this bore and make it fun again
I’m so tired of trying to be good, Heaven’s never lettin' me in!
Oh no Heaven’s never lettin me in
Anyone who's ever read Paradise Lost will recognize the sophistication of the way this song deals with choosing evil over good. It gets right to the heart of the idea of forgiveness, which is seen as impossible because of the sinfulness of the singer. The singer boasts of his sins, and is proud of being unforgivable. The rejection of forgiveness is central to his belief that heaven's never letting him in. The one truly unforgivable sin, as I read it in these lyrics, is the disbelief in the possibility of forgiveness.
And the song rocks so incredibly hard, and goes from circus-like whimsey to slamming power chords behind the wails of the self-damned. This song has haunted me since I first heard it in 2003, and last night I stayed up all night - looking over in astonishment at 4:20 a.m., trying to figure out the lyrics and play it. That's something I've never even done for a Blind Idiot God song!
Download "Heaven's Never Letting Me In", then go to the iTunes store and buy everything they ever recorded.

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